Megan Roodenrys Artwork
[
Currently Exhibiting ][
Past Works
][ Limited Editions
][
Biography
][
Commissions & Portraits
][
Sport Portraits
][ Archibald Entries ]
Up and coming exhibitions:
April and
July
2010 Pivotal Gallery, Melbourne
October 2010
Framed Gallery, Darwin
"Paynes Grey" Oil on Linen 137 x 122 cm
NEW SOLD
Megan's recent exhibitions:
Kensington Gallery, Adelaide - December 2009
Pivotal Gallery, Melbourne - Group Show "Shine On" December 2009
"Small Tabriz" and "Late Nasturtiums"
Ink and Oil on Linen
77 x 137 cm each
SOLD (Both)
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"Sleaford Cliffs
Daybreak"
Oil on Canvas
76 x 62 cm
NEW - Richmond Road Studios |
"Eyre
Peninsula 6.05am"
Oil and wax on Linen
152 x 122 cm
NEW - SOLD |
"Sleaford Waves
am"
Oil on Linen
137 x 91 cm
NEW - SOLD |
"Sleaford Mere"
Oil on Linen
167 x 122 cm
NEW - Richmond Road Studios |
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"Dubai Pearls"
Oil and ink on
Sealed Paper
72 x 52 cm
SOLD |
"Leo"
Watercolour and
Oil Glazes
on Paper
99 x 76 cm
SOLD
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"Two Thirty PM"
Oil and Ink on sealed paper
27 x 44 cm
NEW
Richmond Road Studios |
"The Afternoon"
Oil and
24 Carat Gold Leaf on Canvas
100 x 100 cm
SOLD |
"Facing The Demons"
Oil on Linen
152 x 123 cm
Richmond Road Studios |
"West Coast Day Break"
Oil and Ink in Paper
153 x 104 cm Image Size
Richmond Road Studios
NEW |
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"The Handmirror"
Oil on Canvas
152 x 121 cm
SOLD |
"She Dreams Of Colour"
Watercolour and Oil Glazes
On Arches 640 gsm
watercolour paper
150 x 100 cm
SOLD |
"On Reflection - Thoughts"
Watercolour and Gouache
on Paper
Pivotal
Galleries,
Melbourne |
"Lost in Magnolia"
Graphite and Watercolour
on Paper
Pivotal
Gallery,
Melbourne |
"Day Sleeper 1"
Oil on Canvas
137 x 112 cm
SOLD
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"Theresa"
Ink and Oil on Paper
72 x 52 cm
SOLD |
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Megan Roodenrys' Past Works
We use the giclée process for reproducing at the highest quality.
All Richmond Road Studios images can be produced as
premium gift cards.
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All reproductions come on textured
Etching Paper which is a high quality acid free paper,
ensuring it will be archivally sound for over 50 years.
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"Rose Lace"
Charcoal, Watercolour,
Pen & Ink on paper 37x57cm
SOLD |
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Limited Editions
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Megan Roodenrys also produces limited edition dry points.
Dry point print making is easily recognisable with
slightly fuzzy lines which it leaves on the paper.
The process involves firstly scratching a design onto a
polished copper plate using a sharp hard needle.
This throws up a rough ridge of metal (the burr) along the
incised line which is the source of many of the dry points' advantages as well
as its problems. The burr holds the ink as well as the line of the groove
itself. This makes it suitable for creating rich velvety areas of tone. When the
print is transferred to paper, the typical fuzzy dry point lines are left
behind. Unfortunately the burr is very fragile, wearing down quickly in the
printing press. This is why only few copies are possible and explains the
limited editions of Megan's work in this area, often less than 15.
As result, the prints hold their value and are an investment
in themselves.
Available from exhibiting
galleries, please
contact us for details.
