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Megan Roodenrys Artwork

[ New Works ][ Past Works ][ Limited Editions ][ Biography ][ Commissions & Portraits ][ Sport Portraits ][ Archibald Entries ]

Up and coming exhibitions:
July 14th (Joint) to August 8th 2010 Pivotal Galleries, Melbourne
August 8th - 10th Open Studio at Richmond Road Studios (SALA)
October 29th - November 20th 2010 Framed Gallery, Darwin

New Works

The Roses and Linen Series
My Roses and Linen Series
Oil on Linen 137 x 122 cm

NEW


Ivory Silk Series
Ivory Silk Series
Oil on Linen 137 x 122 cm
NEW
"Tidal Pool" Oil on Linen
"Tidal Pool"
Oil on Linen
121 x 101 cm
NEW
"The Nasturtiums"
"The Nasturtiums"
Oil on Linen
137 x 122 cm
NEW
"My Brother's Rug" Pencil on 640gsm Arches Paper
"My Brother's Rug"
Pencil on 640 gsm Paper
69.5 x 120 cm Image
NEW

"Sleaford Mere"
"Sleaford Mere"
Oil on Linen
167 x 122 cm
NEW
 
 "Red Pinstripe" Oil on Linen 38 x 56cm
"Red Pinstripe"
Oil on Linen
38 x 56 cm
NEW
Tabriz Series        Nasturtiums Series
The Tabriz and Nasturtiums Series      
Ink and Oil on Linen                               
77 x 137 cm each
"Sleaford Cliffs Daybreak"
"Sleaford Cliffs Daybreak"
Oil on Canvas
76 x 62 cm
NEW
 
"Grey Velvet" Oil on Linen 56x38cm
"Grey Velvet"
Oil on Linen
56 x 38cm
NEW
 Eyre Peninsula Series
The Eyre Peninsula Series
Oil and wax on Linen
152 x 122 cm
NEW
 
 "Sleaford Waves am"
"Sleaford Waves am"
Oil on Linen
137 x 91 cm
NEW
The Afternoon Series
The Afternoon Series
Graphite on Arches 640 gsm Paper 90 x 90 cm
Kensington Gallery
NEW
   
 Past Works

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The Dubai Cushion Series "Leo" "Two Thirty PM" "The Afternoon" "Facing The Demons" "West Coast Day Break"  
The Dubai Cushion Series
Oil and ink on
Sealed Paper
72 x 52 cm
"Leo"
Watercolour and
Oil Glazes on Paper
99 x 76 cm

"Two Thirty PM"
Oil and Ink on sealed paper 
27 x 44 cm
NEW
Richmond Road Studios
"The Afternoon"
Oil and
24 Carat Gold Leaf on Canvas
100 x 100 cm
"Facing The Demons"
Oil on Linen
152 x 123 cm
Richmond Road Studios
"West Coast Day Break"
Oil and Ink in Paper
153 x 104 cm Image Size
Richmond Road Studios
 
"The Handmirror"
"The Handmirror"
Oil on Canvas
152 x 121 cm
"She Dreams Of Colour"
"She Dreams Of Colour"
Watercolour and Oil Glazes

On Arch
es 640 gsm
watercolour paper
150 x 100 cm

 Thinking

"On Reflection - Thoughts"
Watercolour and Gouache
on Paper
Pivotal Galleries,
Melbourne
Lost in Magnolia
"Lost in Magnolia"
Graphite and Watercolour
on Paper
Pivotal Gallery,
Melbourne
"Day Sleeper 1"
"Day Sleeper 1"
Oil on Canvas
137 x 112 cm

The Tabriz Series
The Tabriz Series
Ink and Oil on Paper
72 x 52 cm


"Saltwater Man"
Andrew McLeod
Oil on Linen
Newspaper Article: 27th July 2008
"Waiting For The Day" 2009 Archibald Prize Finalist
"Waiting For The Day"
2009 Archibald Prize Finalist
Oil on Linen 200 x 167 cm
The Archibald Exhibition 2009
Reproductions Orders click here

View the Ben Cousins Series


Thankyou to the American Australian Association for awarding Megan funding from the Dame Joan Sutherland Fund which assists Australian Artists to establish themselves in the United States.
"Aaron at Leighton"
"Aaron at Leighton" - Aaron Sandilands
2009 Black Swan Portrait Prize Finalist
Oil on Linen
183 x 101 cm
Kensington Gallery, Adelaide
View more information at Sport Portraits
     
    
Dreams

Megan is available for fine art portraiture and commissions.

Click here to view Megan's recent commissions.


Manu 

"Manu" Watercolour
Charcoal on paper

Richmond Road Studios
Ben Cousins Watercolour Ben Cousins Watercolour Build Up "Day Sleeper"
A series of portraits studying Ben Cousins



"Ivory Tower" "Do You Dream In Colour?" "Touch" "Thoughts Aligned" Rose Lace
"Rose Lace" 
Charcoal, Watercolour,
Pen & Ink on paper 37x57cm
 
"Saturnia pyri" "Cloud Swept" "Fur Collar For Moths" "Twins"





Limited Editions
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Megan Roodenrys also produces limited edition dry points.

Dry point print making is easily recognisable with slightly fuzzy lines which it leaves on the paper.

The process involves firstly scratching a design onto a polished copper plate using a sharp hard needle.

This throws up a rough ridge of metal (the burr) along the incised line which is the source of many of the dry points' advantages as well as its problems. The burr holds the ink as well as the line of the groove itself. This makes it suitable for creating rich velvety areas of tone. When the print is transferred to paper, the typical fuzzy dry point lines are left behind. Unfortunately the burr is very fragile, wearing down quickly in the printing press. This is why only few copies are possible and explains the limited editions of Megan's work in this area, often less than 15.

As result, the prints hold their value and are an investment in themselves.

Available from exhibiting galleries, please
contact us for details.

Sybille "Sybille" 20x20cm Rose
"Rose" 30 x 22cm
Cymbaline
"Cymbaline" 
 59 x 43cm 
 Bonica
"Bonica"
34 x 29 cm
Susiana - also available as dry point original 
"Susiana"
33.5x30cm
 
Dove
"Dove"
59x43cm
Rose And Dove
"Rose and Dove"
59 x 54 cm

Amarylis 
"Amarylis"
59 x 43 cm